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Raffaele Fiorini


Raffaele Fiorini (15 July 1828 – 18 October 1898), was an influential Italian violin maker.

Innovator, personality and pioneer of the great rebirth of contemporary Bolognese violinmaking, Fiorini was born at Musiano di Pian di Macina di Pianoro near Bologna. He spent his early years in Bazzano, where he learned the first elements of the craft while working with his father at the 'Mulino della Sega'. A famous violin player and teacher, Professor Verardi, induced him to start the 'Bolognese adventure' and to open a workshop in the Palazzo Pepoli, not far from the Liceo Musicale, in Bologna downtown. Fiorini quickly achieved a reputation in his new environment and was able to attract apprentices of great talent, including his son Giuseppe. Raffaele won a silver medal with praise during the International Music Exhibit of Arezzo in 1882, and a silver medal during the Torino Exhibition in 1884; he received also great acclaim for his restoration work.

Up to the first half of the nineteenth century, violin making in Italy had come to a standstill, but during the second half of the century, Raffaele Fiorini gave new impulse to it.

Thanks to him, born in Musiano di Pianoro, the luthier's ancient Art was brought back to a new life.

He took by himself several apprentices who, in their turn, continued his tradition with good success during the following century. One can say that today any Bolognese luthier has his roots in this school.

These are among the best bowed instrument makers of the 20th century in Italy: Augusto Pollastri, first of this renowned luthier family, started his career as an apprentice in Raffaele Fiorini's studio. Augusto showed a remarkable artistic gift and took the firm's responsibility upon himself when Raffaele, towards the end of his life, could not manage the workshop. After Raffaele Fiorini's death Augusto Pollastri managed one of the most important luthier's Atelier in Bologna for thirty years, helped also by his brother Gaetano. Augusto's total production was not very high in number, yet it was of an astounding quality and class. Pollastri's instruments are today considered legendary and the model developed by him is one on the most copied in the world, besides the classical ones. In fact the number of fake instruments and imitations one could come across is much greater than the number of originals.

Gaetano, Augusto's brother, continued after his death, reaching very good results too.

Brothers Candi (Oreste & Cesare) worked in Genoa, yet they are considered Raffaele Fiorini's pupils in all respects; above all, Cesare who gained distinguished international fame not only in bowed instrument making but also in plucked instruments, refined inlaying and carving.


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