Radisson Blu Royal Hotel, Copenhagen
| Radisson Blu Royal Hotel | |
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Radisson Blu Royal Hotel
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| General information | |
| Location | Hammerichsgade 1, Copenhagen, Denmark |
| Coordinates | 55°40′30″N 12°33′47″E / 55.67500°N 12.56306°E |
| Opening | 1956 |
| Management | Radisson Hotels |
| Height | 69.6 |
| Design and construction | |
| Architect | Arne Jacobsen |
| Website | |
| Official hotel website | |
The Radisson Blu Royal Hotel is a historic hotel in Copenhagen, Denmark, that was designed by Danish architect and designer Arne Jacobsen for the airline Scandinavian Airlines System (SAS) between 1956 and 1960.
Built as the SAS Royal Hotel, the hotel was renamed the Radisson SAS Royal Hotel in 1994, when SAS bought a share in the foreign division of Radisson hotels. When SAS sold their share in 2009, it was renamed the Radisson Blu Royal Hotel, its current name.
At its completion the hotel was the largest in Denmark, at 69.60 meters in height, the first skyscraper in Copenhagen until 1969 and at the same time the tallest building in Denmark. In 2009, it was the country's seventh-highest tower.
The entire hotel – from the exterior façade through to the stainless-steel cutlery used in the restaurant and the Swan and Egg chairs gracing the lobby – was designed by famous Danish architect, Arne Jacobsen. Since most of his work has been replaced by corporate standard fabrics and furniture, the hotel is referred to as Jacobsens' Lost Gesamtkunstwerk. Only a single room has been kept in the original design. It has all of the original, green furniture and the wood panels on the wall. This room, with the number 606, is still available for booking.
Shades of green dominate the entire design. Jacobsen, who was also working as a landscape architect 1955-1960, pursued a "modern garden" theme. He implemented this theme using green textiles and furniture combined with "organic shapes" and rigid geometric forms.
Jacobsen has created several furniture, lighting and textile designs. Some models were later adopted into mass production and have become design classics, which are exhibited in museums worldwide. Others, however, remained unique pieces.
During the design phase sketches of the building where published in Danish newspapers. Critics feared a destruction of the traditional skyline of Copenhagen. The building was compared to a punch card. Jacobsen's response was: "it’s funny, for that is actually what it looks like when the windows are open on a hot summer’s day." Another term used was introduced by Jacobsen's former associate Erik Møller, who called it the 'glass cigarbox'. The promoter of the international style, Philip C. Johnson, said it was the worst copy of Lever House. Jacobsen responded: "At least, it came in first when they held a competition for the ugliest building in Copenhagen."
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Wikipedia