Radical Chic

"Radical chic" is a term coined by journalist Tom Wolfe in his 1970 essay "Radical Chic: That Party at Lenny's," to describe the adoption and promotion of radical political causes by celebrities, socialites, and high society. The concept has been described as "an exercise in double-tracking one's public image: on the one hand, defining oneself through committed allegiance to a radical cause, but on the other, vitally, demonstrating this allegiance because it is the fashionable, way to be seen in moneyed, name-conscious Society." Unlike dedicated activists, revolutionaries, or dissenters, those who engage in "radical chic" remain frivolous political agitators. They are ideologically invested in their cause of choice only so far as it advances their social standing.

"Terrorist chic" is a modern expression with similar connotations. This derivative, however, de-emphasizes the class satire of Wolfe's original term, instead accentuating concerns over the semiotics of radicalism (such as the aestheticization of violence).

The phrase "radical chic" originated in a 1970 New York article by Tom Wolfe, titled "Radical Chic: That Party at Lenny's", which was later reprinted in his books Radical Chic & Mau-Mauing the Flak Catchers and The Purple Decades. In the essay, Wolfe used the term to satirize composer Leonard Bernstein and his friends for their absurdity in hosting a fundraising party for the Black Panthers—an organization whose members, activities, and goals were clearly incongruous with those of Bernstein's elite circle. Wolfe's concept of radical chic was intended to lampoon individuals (particularly social elites like the jet set) who endorsed leftist radicalism merely to affect worldliness, assuage white guilt, or garner prestige, rather than to affirm genuine political convictions.

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