Rachid Taha
| Rachid Taha | |
|---|---|
Rachid Taha
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| Background information | |
| Born |
18 September 1958 Sig, Algeria |
| Genres | Worldbeat, rock,raï,Algerian chaabi,rumba-pop,electronica, punk,techno, dance |
| Occupation(s) | Singer, songwriter, activist |
| Years active | 1980–present |
| Labels | Knitting Factory, Island, Barclay |
| Website | www |
Rachid Taha (Arabic: رشيد طه) (born September 18, 1958 in Sig, Algeria) is an Algerian singer and activist based in France who has been described as "sonically adventurous." His music is influenced by many different styles such as rock, electronic, punk and raï.
Taha was born in 1958 in Sig (Mascara Province), Algeria, although a second source suggests he was born in the Algerian seacoast city of Oran. This town was the "birthplace of raï" music, and 1958 was a key year in the Algerian struggle for independence against French authority. He began listening to Algerian music in the 1960s, including street-style music called chaabi. And music from the Maghreb region was part of his upbringing.
He moved with his parents to France when he was ten years old, settling in an immigrant community around the French city of Lyon in 1968. His father was a textile factory worker, with long hours and low pay, such that his life was compared to that of a "modern slave", according to one account. When 17, Taha worked during the day at a central heating plant, described as a "menial job", and hated this work, but at night worked as a club DJ playing Arabic music, rap, salsa, funk and "anything else that took his fancy." The contrast between menial work during the day and fun during the night may have helped to develop his musical sensibility. In the late 1970s, Taha founded the nightclub called The Rejects or, in French, Les Refoulés, where he would spin mashups of Arabic pop classics over Led Zeppelin, Bo Diddley and Kraftwerk backbeats.
In the 1980s, Algeria's indigenous pop music known as raï began to achieve international attention. Originally raï music was based on "city slickers adapting music from the sticks" and was described as ribald, but it became more of a medium for political protest when young people in the 1960s and 1970s used it to "express their anger and desires." Taha has suggested that Algerian musical styles and rock are "closely linked". Taha was influenced by the North African raï band Nass El Ghiwane which was described as "Morocco's answer to the Beatles or the Stones."
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Wikipedia