Quiet Exit
| Quiet Exit | ||||
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| Studio album by Elvira Nikolaisen | ||||
| Released | March 2006 | |||
| Genre | pop | |||
| Label | Columbia | |||
| Producer | Knut Schreiner | |||
| Elvira Nikolaisen chronology | ||||
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| Singles from Quiet Exit | ||||
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| Professional ratings | |
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| Review scores | |
| Source | Rating |
| Aftenposten |
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| Dagbladet |
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| Verdens Gang |
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Quiet Exit is the 2006 debut album of Norwegian singer-songwriter Elvira Nikolaisen. The album contains twelve songs written by Nikolaisen. The album sold over fifty thousand copies in 2006, making it the 14th most sold album in Norway that year.
The album was produced by Knut Schreiner, better known as Euroboy, lead guitarist of Turbonegro, and lead singer/guitarist of Euroboys, enlisting fellow Euroboys guitarist Trond Mjøen to accompany on electric/acoustic guitars, while Tom Rudi Torjussen of Jim Stärk plays drums/percussion. Ole Kristian Wetten plays bass. Nikolaisen's older brother, Emil Nikolaisen, of Serena Maneesh also contributed, by providing background vocals on three of the songs. All the lyrics and melodies were written by Nikolaisen.Recording took place in Athletic Sound Studio in Halden and finished in September 2005.
Several reviewers commented positively on the album's production. One reviewer complimented Schreiner and the backing band for the "many exciting details in the soundscape, that reveals something new every time you listen to the songs". Thorstein Krogedahl also received praise for his performance on background saxophone in the chorus of Egypt Song.
The album's lead single, "Love I Can't Defend", released in late 2005, was a success, peaking at #3 on the Norwegian airplay chart, making Quiet Exit one of the most anticipated albums of 2006. At the release concert, Nikolaisen said: "Quiet Exit is a result of many years of passionate work." The album was released on 6 March 2006, the same day as another much anticipated debut album, Marit Larsen's Under the Surface. An article in Verdens Gang written by Thomas Talseth described the simultaneous release as the peak of a "girl war", referring to the large number of Norwegian female artists making their record debuts in early 2006. The article sparked some controversy. Several music journalists and artists criticized Talseth for his use of the term "girl war". However, Talseth later defended his use of the term, calling it a "nice tabloid angle".
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