Queen of the Night Clubs | |
---|---|
Directed by | Bryan Foy |
Produced by | Bryan Foy |
Written by | Addison Burkhard Murray Roth |
Starring |
Texas Guinan John Davidson Lila Lee John Miljan Arthur Housman Eddie Foy Jr. Jack Norworth George Raft |
Cinematography | Edwin B. DuPar |
Production
company |
|
Distributed by | Warner Bros. |
Release date
|
March 16, 1929 |
Running time
|
60 minutes |
Country | United States |
Language | English |
Queen of the Night Clubs is a 1929 American Pre-Code musical drama film produced and directed by Bryan Foy, distributed by Warner Bros., and starring legendary nightclub hostess Texas Guinan. The picture, which featured appearancess by Eddie Foy, Jr., Lila Lee, and George Raft, is now considered a lost film.
After working as a hostess for Nick and Andy, Tex Malone leaves their employ and opens a club of her own. Looking for talent to book for the floor show, Tex hires Bee Walters and thereby breaks up Bee's act with Eddie Parr. Andy spitefully kills Tex's friend, Holland, and young Eddie is arrested for the crime on circumstantial evidence. Tex then learns from Eddie's father, Phil, that Eddie is her long-lost son. At the trial, Tex comes to Eddie's defense and persuades one member of the jury that there is reasonable doubt of Eddie's guilt. The jury repairs to Tex's club, where Tex discovers a piece of evidence that conclusively links Andy with the murder. Eddie is freed, and Tex and Phil get together for a second honeymoon.
The film starred the legendary bar hostess and silent film actress Texas Guinan as "Texas Malone", a character obviously based upon herself. Guinan's pal George Raft also appears in his first movie role. Queen of the Night Clubs was directed by Bryan Foy.
The film was generally reviewed as mediocre by critics. Mordaunt Hall of The New York Times called it "a somewhat entertaining thriller", though he found the ending "amateurishly forced".Variety wrote, "Tex hasn't much to do, but does what she has pretty well."Film Daily called it "dull and uninteresting", writing, "This film was built solely to give Tex Guinan a chance to show how she runs her Broadway night club, but it has been done so often and so much better in other films of night club life that it carries no kick."John Mosher of The New Yorker expressed disappointment, writing, "Rather to our surprise and much to our regret, Miss Guinan doesn't carry the picture with as much verve as it might seem that she would."