Pure Jerry: Keystone Berkeley, September 1, 1974 | ||||
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Live album by Jerry Garcia and Merl Saunders Band | ||||
Released | December 28, 2004 | |||
Recorded | September 1, 1974 | |||
Genre | Rock, jazz-rock | |||
Length | 220:17 | |||
Label | Jerry Made | |||
Jerry Garcia chronology | ||||
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Merl Saunders chronology | ||||
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Merl Saunders and Jerry Garcia chronology | ||||
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Review scores | |
Source | Rating |
Allmusic | |
The Music Box |
Pure Jerry: Keystone Berkeley, September 1, 1974 is a three-CD live album by the Jerry Garcia and Merl Saunders Band. It contains the complete concert performed at the Keystone in Berkeley, California on September 1, 1974. The fourth in the Pure Jerry series of archival concert albums, it was released on December 28, 2004.
Pure Jerry: Keystone Berkeley features Jerry Garcia on guitar and vocals, Merl Saunders on keyboards and vocals, Martin Fierro on saxophone and flute, John Kahn on bass, and Paul Humphrey on drums. At this show, a trumpet player whose identity is no longer known sat in on some of the songs.
Some earlier sources referred to this band as Legion of Mary. However, later research showed that the name Legion of Mary was only used from December 1974 to July 1975, after Ron Tutt replaced Paul Humphrey as the band's drummer. A recording by that band is Legion of Mary: The Jerry Garcia Collection, Vol. 1. Released in August 2005, it contains selections from various concerts, recorded from December 1974 to July 1975, on two CDs. A second LOM album is Garcia Live Volume Three, released in October 2013 and recorded at two concerts in December 1974.
On Allmusic, Lindsay Planer wrote, "Within this context, Garcia's predilection and underrated jazz leanings are given plenty of room for some stretched-out exploratory excursions.... For the inclined, 2004's Pure Jerry: Keystone Berkeley, September 1, 1974 is a no-brainer, while the faithful might liken it unto aural manna for the masses. Curious parties won't leave disappointed, either."
In The Music Box, John Metzger wrote, "Granted, the set lists employed by any of the Garcia-Saunders projects didn't vary tremendously from one show to the next, and each was peppered with an organic blend of Bob Dylan-penned, Motown-germinated, jazz, blues, funk, reggae, and rock selections.... Not surprisingly, the end result of such improvisational mayhem could be a hit-and-miss affair, but for whatever reason, September 1, 1974 yielded a truly awesome, mind-blowing experience, one that rivaled the Grateful Dead's own astonishing sojourns.... In essence, the fourth chapter in the Pure Jerry series amounts to being a whirlwind tour de force that far and away surpasses not only the entirety of Jerry Garcia's solo canon, but also many of the Grateful Dead's own releases."