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Puerto Rican art


With the country's ethnically diverse background, Puerto Rican art reflects many diverse influences.

Puerto Rican art includes an especially beloved form of folk art, evolved from the Spanish church's use of sculptures to convert indigenous Puerto Ricans to Christianity. Santos, meaning "saints" in Spanish, depict figures of saints and other religious icons. Families continue to pass this centuries-old craft down from generation to generation. The artisans, called santeros, create santos from native wood, clay, and stone. After shaping simple effigies, they often finish by painting them in vivid colors. Santos vary in size, with the smallest examples around eight inches tall and the largest about twenty inches tall. Traditionally, santos were seen as messengers between the earth and Heaven. As such, they occupied a special place on household altars, where people prayed to them, asked for help, or tried to summon their protection.

Caretas are also very popular. Caretas are masks worn during carnivals. Similar masks signifying evil spirits were used in both Spain and Africa, though for different purposes. The Spanish used their masks to frighten lapsed Christians into returning to the church, while tribal Africans used them as protection from the evil spirits they represented. Puerto Rican caretas always bear at least several horns and fangs, true to their historic origins. While they are usually constructed of papier-mâché, coconut shells and fine metal screening are sometimes used as well. Though red and black were originally the typical colors for caretas, their palette has expanded to include a wide variety of bright hues and patterns.

Perhaps the strongest Spanish influenced on Puerto Rican arts was in painting. During the colonial period, native-born painters emulated classic European styles. The first of these artists to gain international acclaim, José Campeche, learned techniques from both his father, who was also a painter, and exiled Spanish artist Luis Paret. His work concentrated on religious themes and portraits of important citizens in Spanish Rococo style. Still regarded as the most important 18th-century painter in the Americas, Campeche is also credited with creating Puerto Rican national painting.


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