Public statues in Glasgow, the largest city in Scotland, have been used to display the wealth and history of the city over centuries. The most prominent are those erected by the municipality or by public subscription, but others adorn the façades of the great commercial buildings.
George Square is Glasgow's central public square, which stands in front of the landmark City Chambers. The square was laid out in 1782, with houses appearing between 1784 and 1820. Many of these later became hotels, especially after the opening of Queen Street Station. Only one of the original houses remains - the Millennium Hotel beside the station. The square is now a magnificent public space dominated by the aforesaid City Chambers, the ex-Post Office, ex-Bank of Scotland and the Merchant's House. During the 19th century, statues to the greatness of Glaswegian, Scottish and British culture were erected. They included poets, adventurers, soldiers, scientists and politicians (local and national), as well as the Queen and Prince Consort. They are all realistic portraits in the 19th century style. They are:
In Royal Exchange Square outside the Glasgow Gallery of Modern Art and forming an end to Ingram Street is an equestrian statue of the Duke of Wellington by Italian artist Carlo Marochetti, erected in 1844. Capping the statue with a traffic cone has become a traditional practice in the city, claimed to represent the humour of the local population and believed to date back to the first half of the 1970s if not before. The statue is a Category-A listed monument and due to minor damage and the potential for injury that the placing of cones involves, the practice has been discouraged by Glasgow City Council and Strathclyde Police in recent years.