Pramathesh Chandra Barua
| Prathmesh Barua | |
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Pramathesh Barua and Jamuna Barua in Devdas
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| Born |
Pramatesh Chandra Barua 24 October 1903 Gauripur, Assam, India |
| Died | 29 November 1951 (aged 48) Calcutta, West Bengal, India |
| Spouse(s) |
Jamuna Barua
Madhuri Lata |
Madhuri Lata
Amalabala
Pramathesh Chandra Barua (Assamese: প্রমথেশ চন্দ্র বৰুৱা, Bengali: প্রমথেশ চন্দ্র বড়ুয়া) (24 October 1903 – 29 November 1951) was an Indian actor, director, and screenwriter of Indian films in the pre-independence era, born in Gauripur.
Barua was the son of the Zamindar of Gauripur, Assam, where he was born and spent his childhood. He studied at Hare School, Calcutta and then Bachelor of Science graduated from Presidency College, Calcutta in 1924. At the age of only 18, while still studying in college, he got married. It was arranged by the family. He had two more marriages. His third wife was film actress Jamuna Barua. After his graduation, he travelled to Europe, where he received his first exposure to films. After returning, he served for a time in the Assam Legislative Assembly and joined the Swaraj Party but ultimately moved to Calcutta and later began a career in films, much to the chagrin of his father.
Pramathesh Barua’s stepping into the world of films was accidental. He was introduced to Dhirendranath Ganguly during his stay in Shantiniketan. Pramathesh Barua started his film career in 1926 as a member of British Dominion Films Ltd. In 1929, he appeared for the first time on the silver screen in a film named Panchashar which was directed by Debaki Kumar Bose. He also acted in Takay Ki Na Hay, another film directed by Dhiren Ganguly.
Around this time, an actress of silent era named Irish Gasper (Screen Name: Sabita Devi) urged Pramathesh Barua to go independent and build his own studio. Pramathesh Barua wanted to go to Europe and get a practical knowledge of the art and craft of film-making. In 1930, his father Raja Prabhat Chandra Barua sent Pramathesh to England for removal of a kidney stone. After the successful operation, he went to Paris with a letter of introduction from Rabindranath Tagore and met M Rogers. He received thorough training in cinematography in Paris. He learned a lot about lighting in studios at the Fox Studio. He also observed the production of Elstree Studios in London.
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