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Powaqqatsi

Powaqqatsi
Powaqqatsi.jpg
Theatrical release poster
Directed by Godfrey Reggio
Produced by
Written by
  • Godfrey Reggio
  • Ken Richards
Music by Philip Glass
Cinematography
Edited by
Production
company
Distributed by The Cannon Group
Release date
  • April 29, 1988 (1988-04-29)
Running time
99 minutes
Country United States
Box office $589,244

Powaqqatsi (/pwɑːkˈkɑːts/ POH-wahk-KAH-tsee), or Powaqqatsi: Life in Transformation, is a 1988 American documentary film directed by Godfrey Reggio and the sequel to Reggio's experimental 1982 film, Koyaanisqatsi. It is the second film in the Qatsi trilogy.

Powaqqatsi is a Hopi neologism coined by Reggio meaning "parasitic way of life" or "life in transition". While Koyaanisqatsi focused on modern life in industrial countries, Powaqqatsi, which similarly has no dialogue, focuses more on the conflict in third world countries between traditional ways of life and the new ways of life introduced with industrialization. As with Koyaanisqatsi and the third and final part of the 'Qatsi' trilogy, Naqoyqatsi, the film is strongly related to its soundtrack, written by Philip Glass. Here, human voices (especially children's and mainly from South America and Africa) appear more than in Koyaanisqatsi, in harmony with the film's message and images.

In the beginning chapter, "Serra Pelada", men from Serra Pelada (a gold mine in Brazil) are seen carrying bags of dirt up to a destination. In the middle of the chapter, various shots outside of Serra Pelada are shown. Near the end of the chapter, a few men are carrying another man who was struck by a falling rock (mentioned in the "Impact of progress" feature on the DVD) uphill along a procession of workers who are carrying dirt filled sacks. After that, several discordant layered exposures of the dirt carriers are shown. The scene cross fades to show the image of a head, with multiple exposures of the same head rapidly rotating and layered upon to give a manifold appearance. This is an apparent allusion to Janus, the god of beginnings, endings and transitions, keeping with the film's central themes of progress and change. After that, the film's title is shown in red.


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