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Poverty porn


Poverty porn, also known as development porn, famine porn, or stereotype porn, has been defined as "any type of media, be it written, photographed or filmed, which exploits the poor’s condition in order to generate the necessary sympathy for selling newspapers or increasing charitable donations or support for a given cause".

It is a term also used to explain when media is created not in order to generate sympathy, but to cause anger or outrage.

The concept of poverty porn was first introduced in the 1980s, a golden age for charity campaigns. Charity campaigns during this period made use of hard-hitting images such as pictures of malnourished children with flies in their eyes. This quickly became a trend and there were several notable campaigns such as Live Aid. Though some of these campaigns were successful in raising money for charity (over $150 million to help combat famine), some observers criticised the approach, claiming it oversimplified chronic poverty, this apparent sensationalism was dubbed by critics as “poverty porn”.

In the 1980s the media used what some believed to be inappropriate use of children in poverty. However, towards the end of this era more positive images emerged to tell their stories, although, in recent years it has been noticed that the disturbing images are being highlighted once more.

The practice is controversial, as some believe it to be exploitative, whilst others praise the way it can allow organisations to reach their objectives. It has been common for charity organisations such as UNICEF and Oxfam to portray famine, poverty, and children in order to attract sympathy and increase donations.

Although poverty porn can be seen as a tool to generate further donations, many believe it deforms reality as it portrays the image of an impotent society, entirely dependent on other western societies to survive, as well as being overly voyeuristic.

It is a common debate to have as to whether it is justifiable or not to portray stereotypes and to use sensationalism in order to generate empathy. Chimamanda Ngozi Adichie, Nigerian writer: "The problem with stereotypes is not that they are untrue, but that they are incomplete. They make one story become the only story.”

Throughout fundraising campaigns, charities attempt to interview those who they are trying to help, in order to get the word across to the general public. However, it is common for them to encounter ongoing refusal from those in desolated situations to take pictures or to publicly share their traumatic story. This further emphasises the concept that being in an uneasy, not to say miserable, situation is a shameful one, and poverty porn in media exposes those who do not necessarily have the desire to be exposed.


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