Portrait of an American Family | ||||
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Studio album by Marilyn Manson | ||||
Released | July 19, 1994 | |||
Recorded | August–December 1993 The Record Plant, The Village Recorder (Los Angeles, California) 10050 Cielo Drive, Benedict Canyon, Los Angeles (Le Pig) (Beverly Hills, California) Criteria Studios (Miami, Florida) |
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Genre | ||||
Length | 61:05 | |||
Label | Nothing/Interscope | |||
Producer | Trent Reznor | |||
Marilyn Manson chronology | ||||
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Singles from Portrait of an American Family | ||||
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Professional ratings | |
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Source | Rating |
AllMusic | |
Rolling Stone |
Portrait of an American Family is the debut full-length studio album by American rock band Marilyn Manson. It was released on July 19, 1994 in the US through Nothing and Interscope Records. It was produced by Trent Reznor of Nine Inch Nails. The album was initially known as The Manson Family Album – a direct reference to serial killer Charles Manson's own band – but was retitled prior to release.
It is the only Marilyn Manson studio album to feature bassist Gidget Gein. Gein was fired from the band after its production following a very public and destructive heroin addiction and Twiggy Ramirez, the band's roadie and friend of Gein and Manson, was put as a temporary replacement while Gein got clean and sober. He eventually took over Gein's place and briefly adopted his image. Contrary to popular belief, Ramirez did not play bass on the album. Though Sara Lee Lucas was the featured drummer on the album, Nine Inch Nails live keyboardist Charlie Clouser used a drum machine to replace the work Lucas did. Daisy Berkowitz helped compose music for all of the songs except "Prelude (The Family Trip)" and "Sweet Tooth."
The album was certified Gold on May 29, 2003 by the Recording Industry Association of America (RIAA) in the United States. It spawned three singles ("Get Your Gunn", "Lunchbox" and "Dope Hat").
"When we were finally finished, Roli had done the opposite of what I'd expected. I thought he was going to bring out some sort of darker element. But he was trying to polish all the rough edges and make us more of a rock band, a pop band, which at the time I wasn't interested in at all. I thought the record we did with him came out bland and lifeless. Trent thought the same thing so he volunteered to help us repair what had been damaged."