Portrait of Innocent X

Portrait of Pope Innocent X is an oil on canvas portrait by the Spanish painter Diego Velázquez, executed during a trip to Italy around 1650. Many artists and art critics consider it the finest portrait ever created. It is housed in the Galleria Doria Pamphilj in Rome. A smaller version is in the Metropolitan Museum of Art in New York, and a study is on display at Apsley House in London. The painting is noted for its realism, in that it is an unflinching portrait of a highly intelligent, shrewd but aging man. He is dressed in linen vestments, and the quality of the work is evident in the rich reds of his upper clothing, head-dress, and the hanging curtains.

The pope, born Giovanni Battista Pamphilj, was initially wary of having his portrait taken by Velázquez, but relented after he was given reproductions of examples of Velázquez's portraiture. A contributing factor for this large advancement in the painter's career was that he had already depicted a number of members of Pamphilj's inner court. Yet the pope remained wary and cautious, and the painting was initially displayed to only his immediate family, and was largely lost from public view through the 17th and 18th centuries. The parchment held by the pope contains Velázquez's signature.

The portrait was painted during Velázquez's second voyage to Italy, between 1649 and 1651. The Pope's vestments being of light linen, it was probably painted during the summer, most likely in 1650. Velázquez included his signature on the paper the Pope is holding, but it is difficult to read the date. There are two versions of the story of how Velázquez came to paint the portrait. According to one of them, while visiting the Vatican City, Velázquez, already a renowned painter, was granted an audience with Pope Innocent X. He offered to paint a portrait of the Pope, but Innocent X doubted, mistrusting Velázquez's fame. Hence, he asked Veláquez to offer some proof of his painting skills. It would have been then that Velázquez painted the portrait of his servant Juan de Pareja (today at display in the Metropolitan Museum of New York). Once the Pope saw the portrait of Juan de Pareja, he allowed Velázquez to paint the portrait.

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