Portrait of Bia de' Medici
| Portrait of Bia de' Medici | |
|---|---|
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| Artist | Agnolo Bronzino |
| Year | circa 1542 |
| Medium | Oil on wood |
| Dimensions | 64 cm × 48 cm (25 in × 19 in) |
| Location | Uffizi, Florence |
The Portrait of Bia de' Medici is an oil-tempera on wood painting by Agnolo Bronzino, dating to around 1542 and now in the Uffizi in Florence. For a long time it was displayed in the Tribuna at the heart of the museum, but since 2012 it has been moved to the 'sale rosse' of the Nuovi Uffizi.
Its subject's identification, according to the Walters Art Museum and scholarship sponsored by the National Endowment for the Humanities is likely Giulia de' Medici.
Some art historians once identified the child as a young Cosimo I de' Medici, but it is now generally accepted to be Giulia. The child in the portrait appears to be a little girl, rather than a boy, and her expression is anxious. Maria Salviati, who is dressed soberly as befitted a widow, is seen sheltering the vulnerable child against her side. Art historian Gabrielle Langdon argues that the girl's demeanor in the portrait is different than would have been expected for the child Cosimo, whose family anticipated his role as a strong leader from his earliest days. It would have been to Cosimo I's advantage to commission a portrait depicting his mother as an exemplary widow, affectionately bringing up the orphaned daughter of Cosimo I's predecessor. The child's full lips, round nose, and curly reddish hair also bear little resemblance to known portraits of Cosimo as a child, though they do to portraits of the young Alessandro. Other girls of about the right age who were at court during this period also do not resemble the child in the portrait. The portrait might be one of the first in Renaissance-era Europe of a girl of presumed African and European ancestry. This painting is in the permanent collection of The Walters Art Museum in Baltimore, Maryland.
Maike Vogt-Lüerssen argues in an article in Medicea – Rivista interdisciplinare di studi medicei that the child in the portrait with Maria Salviati is actually Salviati's granddaughter Bia de' Medici. She believes that the child does not resemble the known portrait of an adult Giulia de' Medici and that the relationship between Maria Salviati and Giulia was not close enough to have warranted a portrait. Most group portraits were of family members with close blood ties.
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