Porcelain painter

China painting, or porcelain painting, is the decoration of glazed porcelain objects such as plates, bowls, vases or statues. The body of the object may be hard-paste porcelain, developed in China in the 7th or 8th century, or soft-paste porcelain (often bone china), developed in 18th-century Europe. The broader term ceramic painting includes painted decoration on lead-glazed earthenware such as creamware or tin-glazed pottery such as maiolica or faience.

Typically the body is first fired in a kiln to convert it into a hard porous bisque. Underglaze decoration may then be applied, followed by glaze, which is fired so it bonds to the body. The glazed porcelain may then be painted with overglaze decoration and fired again to bond the paint with the glaze. Most pieces use only one of underglaze or overglaze painting, the latter often being referred to as "enamelled". Decorations may be applied by brush or by stenciling, transfer printing, lithography and screen printing.

Porcelain painting was developed in China and later taken up in Korea and then Japan. Decorated Chinese porcelain from the 9th century has been found in the Middle East. Porcelain for trade with this region often has Islamic motifs. Trade with Europe began in the 16th century. By the early 18th century European manufacturers had discovered how to make porcelain. The Meissen porcelain factory in Saxony was followed by other factories in Germany, France, Britain and other European countries. Technology and styles evolved. The decoration of some hand-painted plates and vases from the 19th century resembles oil paintings. In the later part of the 19th century china painting became a respectable hobby for middle-class women in North America and Europe. More recently interest has revived in china painting as a fine art form.

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