Ponvannan | |
---|---|
Born | 23 September 1964 |
Occupation | Actor,Director,Painter |
Height | 5 ft 9 in (175 cm) |
Spouse(s) | Saranya Ponvannan (m.1995) |
Children | 2 daughters |
Ponvannan (born 23 September 1964) is an Indian film actor and director, who has worked in the Tamil film industry. After beginning his career as an artist (painter)Ponvannan apprenticed as a director and writer under Bharathiraja. He subsequently made his directorial debut with Annai Vayal (1992), before making the critically acclaimed venture, Nadhi Karaiyinile (2003). He has since appeared as a supporting actor in films, winning acclaim for his role in films including Paruthiveeran (2007), Ayan (2009) and Kaaviya Thalaivan (2014). In October 2015, he was elected as the Vice President of the Nadigar Sangam alongside Karunas.
Ponvannan began his career as an artist in his home town of Erode and became acquainted with writer Valampuri John, which led to him having a stint working for producer Kovai Thambi's Motherland Pictures. Through his exposure, gained at the production house, he began to apprentice under director Bharathiraja and helped the director write dialogues for his films. Ponvannan gradually was introduced as an actor by Bharathiraja and appeared in supporting roles in the director's Pudhu Nellu Pudhu Naathu (1991), Karuthamma (1994) and Pasumpon (1995). During the period, he also made the low-budget film Annai Vayal, which went unnoticed. Throughout the 1990s, he appeared in further supporting roles, often typecast as the villain in films.
His second directorial venture, Jameela (2003), featuring Suvalakshmi, Rajan P. Dev and Ramji, told the story of an ego clash between two men which ruins the life of an obedient woman. Ponvannan had been impressed with writer Sara Abubakar's novel and bought the script rights, before submitting his screenplay to National Film Development Corporation of India to finance the film. The agency agreed and Jameela was shot for seventeen days in Pondicherry at a cost of 35 lakh rupees. The film won positive reviews in screenings and was well received by critics, prompting it to be selected to be shown in the non-competitive category at the 2002 Shanghai International Film Festival.