Mark Richardson, writing for Pitchfork Media, stated that "there are long stretches, particularly in the early going, where it's more of a sound piece than what is usually described as 'music', but the album's second half contains some of Jaar's loveliest tunes." Sasha Geffen, writing for Consequence of Sound, said that given its length, "Pomegranates doesn’t always feel like an album or a soundtrack so much as it feels like an experiment in sculpting time."

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Wikipedia