Polly of the Circus (1932 film)
| Polly of the Circus | |
|---|---|
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| Directed by | Alfred Santell |
| Produced by | Marion Davies |
| Written by |
Laurence E. Johnson (dialogue) Carey Wilson |
| Based on |
Polly of the Circus 1907 play by Margaret Mayo |
| Starring |
Marion Davies Clark Gable |
| Music by | William Axt |
| Cinematography | George Barnes |
| Edited by | George Hively |
| Distributed by | Metro-Goldwyn-Mayer |
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Release date
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Running time
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69 minutes |
| Country | United States |
| Language | English |
| Budget | $438,000 |
| Box office | $700,000 |
Polly of the Circus is a 1932 American Pre-Code MGM drama film directed by Alfred Santell and starring Marion Davies and Clark Gable.
When a traveling circus arrives in a small town, trapeze artist Polly Fisher (Marion Davies) is outraged to find that clothing has been added to posters of her to hide her moderately skimpy costume. She goes to see the man she mistakenly holds responsible, Reverend John Hartley (Clark Gable). He denies being the censor, but their relationship gets off to a rocky start.
When a heckler distracts Polly during her performance, she falls 50 feet (15 m) to the ground. John Hartley has her brought to his nearby house. The doctor advises against moving her. As she recuperates, Polly and John fall in love and marry. She willingly gives up the circus for him.
John's uncle, Bishop James Northcott (C. Aubrey Smith), questions the wisdom of the union, and John's congregation rebels at having an ex-circus performer as their minister's wife. As a result, he is fired and cannot obtain another church position because of his marriage.
Seeing how miserable her husband is, Polly goes to plead for the bishop's help, but he remains unmoved. When she tells Northcott she is willing to give John up, the clergyman tells her that a divorced minister is just as unacceptable. Polly sees only one way out - as a widower, John could return to the church. She pretends that she has tired of her husband and returns to the circus, planning to have a fatal "accident". However, Northcott has a change of heart. When he goes to tell the couple, Polly has already left. Northcott guesses what she intends to do. He and John speed to the circus' next stop and arrive just in time to save Polly.
An earlier silent film version of the same Margaret Mayo play was made in 1917, the first film by Goldwyn Pictures. It was shot in Fort Lee, New Jersey at Universal Studios when it and many other early film studios in America's first motion picture industry were based there at the beginning of the 20th century.
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