Poison the Parish | ||||
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Studio album by Seether | ||||
Released | 12 May 2017 | |||
Recorded | 2016 | |||
Studio | The Blackbird Studio Nashville, Tennessee |
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Genre | ||||
Length | 46:26 (Standard version) / 59:05 (Deluxe version) | |||
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Producer | Shaun Morgan | |||
Seether chronology | ||||
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Singles from Poison the Parish | ||||
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Professional ratings | |
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Review scores | |
Source | Rating |
AllMusic | |
Rock Sins | 8.5/10 |
Poison the Parish is the seventh studio album by South African rock band Seether. It was released on 12 May 2017. It is the band's first album to feature a new band logo on the cover. The first single, "Let You Down" was released on 23 February 2017. On 23 March, the band released a new track titled "Stoke the Fire". On 13 April, "Nothing Left" was released. On 5 May, "Count Me Out" was released. On 9 August, "Betray and Degrade" was released.
In response to being asked about the album's "heavier" direction than prior releases, frontman Shaun Morgan said of the album's musical direction:
...a lot of the time, we were dealing with the record company that wanted the band to...sound slightly more radio-friendly, in terms of possibly pushing us toward an alternative direction. Alternative used to be something that was the category [we were] in. That's no longer the case. Now, it's more that guitars are less of a player in the music, and it's more Imagine Dragons and Lorde and stuff like that. We don't fit the alternative category anymore. That was something that the [record] label wanted us quite desperately to try [to be a part of], and I think the producers steered us in that direction as well. It all makes sense, in some respect. They had a plan that we just weren't privy to. The whole point, for me, was to reclaim the fact that we're a rock band and it's what we'll always be, and until the alternative label shifts back to the kind of rock bands that have guitar and vocals, that's just what we'll be.
He further expanded that the album's emphasis would be on "heavy guitars" and "loud drums", but not "...a lot of percussion in the background and keyboard parts and tons of strings in different places. There's a time and place for all those things, but I didn't feel like this was that time or place."