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Pod (The Breeders album)

Pod
The Breeders Pod.jpg
Studio album by The Breeders
Released May 29, 1990
Recorded Palladium Studios, Edinburgh, Scotland
Genre Alternative rock
Length 30:35
Label 4AD/Elektra (US)
4AD (UK)
The Breeders chronology
Pod
(1990)
Safari (EP)
(1992)
Professional ratings
Review scores
Source Rating
AllMusic 4.5/5 stars
Blender 2/5 stars
Encyclopedia of Popular Music 3/5 stars
Entertainment Weekly B−
NME 9/10
The Rolling Stone Album Guide 4/5 stars
Select 5/5
Spin 4.5/5 stars

Pod is the debut album by the American alternative rock band the Breeders, released on 4AD in May 1990. The seeds of the group began when the Pixies' Kim Deal and Throwing Muses' Tanya Donelly became friends in 1988 and decided they would like to create music together. Abandoning their initial idea of focusing on dance music, they recorded a country-influenced demo with musicians including violinist Carrie Bradley and bassist Ray Holiday in 1989. When 4AD cofounder Ivo Watts-Russell heard the demo, he offered them money to re-record the songs for an album release.

For the album session, Steve Albini was engineer, Josephine Wiggs replaced Halliday on bass, Britt Walford played drums, and both Deal and Donelly played guitar. Following two weeks of practicing in England, the Breeders recorded Pod at the Palladium studio in Scotland. Albini recorded the group quickly, and focused more on getting good sounds from the musical equipment than on trying to improve the musicians' performances. Critics have discussed similarities between Pod and the Pixies' music, and commented favorably or unfavorably on Pod's relative quality to that band's work. The album has been noted for its minimal instrumentation, and for its sexual, dark, girl-like lyrics.

Pod's cover was designed by Vaughan Oliver and photographed by Kevin Westerberg; the artwork depicts Oliver doing a fertility dance wearing a belt of eels. Pod reached number 22 in the UK and number 73 in the Netherlands. Nirvana's Kurt Cobain rated Pod one of his favorite albums of all time, and Pitchfork ranked it as the #81 best album of the 1990s.


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Wikipedia

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