Pini di Roma

Pines of Rome (Italian: Pini di Roma) is a symphonic poem written by the Italian composer Ottorino Respighi in 1924. It is the second orchestral work in his "Roman trilogy", preceded by Fountains of Rome (1917) and followed by Roman Festivals (1928). Each of the four movements depicts pine trees in different locations in Rome at different times of the day. The premiere took place at the Augusteo, Rome under the direction of Bernardino Molinari on 14 December 1924.

Pines of Rome consists of four movements, each depicting pine trees located in different areas in the city of Rome at different times of the day:

The first movement portrays children playing by the pine trees in the Villa Borghese gardens. The great Villa Borghese is a monument to the patronage of the Borghese family, who dominated the city in the early seventeenth century. It is a sunny morning and the children sing nursery rhymes and play soldiers.

The second movement is a majestic dirge, conjuring up the picture of a solitary chapel in the deserted Campagna; open land, with a few pine trees silhouetted against the sky. A hymn is heard (specifically, the Kyrie ad libitum 1, Clemens Rector; and the Sanctus from Mass IX, Cum jubilo), the sound rising and sinking again into some sort of catacomb, the subterranean cavern in which the dead are immured. An offstage trumpet plays the Sanctus hymn. Lower orchestral instruments, plus the organ pedal at 16′ and 32′ pitch, suggest the subterranean nature of the catacombs, while the trombones and horns represent priests chanting.

The third is a nocturne set on the Janiculum hill. The full moon shines on the pines that grow on the hill of the temple of Janus, the double-faced god of doors and gates and of the new year. Respighi took the opportunity to have the sound of a nightingale recorded onto a phonograph and played at the movement's ending. This was something that had never been done before, and created discussion. The score also mentions a specific recording that references a Brunswick Panatrope record player.

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