Pierre Attaingnant

Pierre Attaingnant (or Attaignant) (c. 1494 – late 1551 or 1552) was a French music publisher, active in Paris.

Attaingnant is considered to be first large-scale publisher of single-impression movable type for music-printing, thus making it possible to print faster and cheaper than predecessors such as Ottaviano Petrucci. Attaingnant is often credited with being the first to develop this technique; however, sufficient evidence exists to suggest that John Rastell, an English printer in London, was the first to use single-impression printing in 1520. Attaingnant published over 1500 chansons by many different composers, including Paris composers Claudin de Sermisy, Pierre Sandrin and Pierre Certon, and most prominently Clément Janequin with five books of chansons. Attaingnant acquired royal privileges for his music books, which were renewed many times. Eventually he was named imprimeur et libraire du Roy en musique (Royal music-printer and librarian).

Attaingnant's major contribution to music printing consists in his popularizing the single-impression method for music printing, which he first employed in his 1528 publication Chansons nouvelles en musique à quatre parties. In this system, the individual notes were printed directly onto segments of staff, and so the notes, staff lines, and text could all be printed with one send through the printing press. The main disadvantage of this method was the alignment of the staff lines, which often had a “bumpy” look—-some being slightly higher or slightly disjointed from others. Nevertheless, this method became standard music printing practice across Europe in the 16th and 17th centuries.

Apart from his 36 collections of chansons, he also published books with pieces in lute or keyboard tablature, as well as Masses and motets.

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