Piero della Francesca
| Piero della Francesca | |
|---|---|
A self-portrait, detail from The Resurrection
|
|
| Born |
Piero della Francesca 1415 Sansepolcro, Republic of Florence |
| Died | 12 October 1492 (aged 77) Sansepolcro, Republic of Florence |
| Nationality | Italian |
| Known for | Painting, Fresco |
| Notable work |
The Baptism of Christ Flagellation of Christ Brera Madonna |
| Movement | Early Renaissance |
Piero della Francesca (Italian pronunciation: [ˈpjɛːro della franˈtʃeska] 
listen ; c. 1415 – 12 October 1492) was an Italian painter of the Early Renaissance. As testified by Giorgio Vasari in his Lives of the Most Excellent Painters, Sculptors, and Architects, to contemporaries he was also known as a mathematician and geometer. Nowadays Piero della Francesca is chiefly appreciated for his art. His painting is characterized by its serene humanism, its use of geometric forms and perspective. His most famous work is the cycle of frescoes The History of the True Cross in the church of San Francesco in the Tuscan town of Arezzo.
Piero was born and died in the town of Borgo Santo Sepolcro, modern-day Tuscany, to Benedetto de' Franceschi, a tradesman, and Romana di Perino da Monterchi, members of the Florentine and Tuscan Franceschi noble family.
He was most probably apprenticed to the local painter Antonio di Giovanni d'Anghiari, because in documents about payments it is noted that he was working with Antonio in 1432 and May 1438. Besides, he certainly took notice of the work of some of the Sienese artists active in San Sepolcro during his youth; e.g. Sassetta. In 1439 Piero received, together with Domenico Veneziano, payments for his work on frescoes for the church of Sant'Egidio in Florence, now lost. In Florence he must have met leading masters like Fra Angelico, Luca della Robbia, Donatello and Brunelleschi. The classicism of Masaccio's frescoes and his majestic figures in the Santa Maria del Carmine were for him an important source of inspiration. Dating of Piero's undocumented work is difficult because his style does not seem to have developed over the years.
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