The Piano Concerto in C minor, Op. 12, is a three-movement composition for piano and orchestra by French composer Gabriel Pierné. The piece was completed in early 1887, shortly after Pierné returned to Paris from a three year stay in Rome.
Lasting roughly twenty minutes in performance, the concerto is composed in three movements:
The concerto has been compared to the music of fellow French composer Camille Saint-Saëns, specifically his Piano Concerto No. 2 in G minor. In the CD liner notes to conductor Juanjo Mena's recording of the Piano Concerto with the BBC Philharmonic, music critic Gerald Larner expanded on the Saint-Saëns comparison, saying:
Dedicated to Marie-Aimée Roger-Miclos, well known as an interpreter of the music of Saint-Saëns, it was modelled on that composer's already popular Piano Concerto No. 2 in G minor, Op. 22.
The most obvious similarity between the two works is in the overall design with a scherzo in the central position place usually occupied by a slow movement. The first movement, however, is entirely Pierné's own, even if the imposing 'Maestoso' introduction does owe something to Saint Saëns. [...] The 'Allegro scherzando,' on the other hand, clearly derives from the Saint-Saëns model, which has the same tempo heading, is in the same key of E flat major and in the same 6/8 metre. There are melodic similarities too. It is no less engaging for that in its elfin rhythms, its brilliant piano writing and its deft scoring for orchestra, not least horn and trumpet.
However, the work has also been suggested by Larner and BBC Music Magazine critic Christopher Dingle as inspiration for the works of Sergei Rachmaninoff. Larner commented, "It is remarkable more for its anticipation of Rachmaninoff, who comes to mind again in the main 'Allegro deciso,' not in the first theme but when the piano introduces the splendid E-flat-major melody which is to dominate the middle section of the movement and inspire its broad central climax."