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Physicist (Devin Townsend album)

Physicist
Physicistcover.jpg
Studio album by Devin Townsend
Released June 26, 2000 (2000-06-26)
Recorded

Hipposonic Studios, Vancouver, BC

Red Stripe Studio Burnaby, BC
Genre Progressive metal, thrash metal
Length 46:34
Label HevyDevy
Producer Devin Townsend
Devin Townsend chronology
Infinity
(1998)Infinity1998
Physicist
(2000)
Terria
(2001)Terria2001
Professional ratings
Review scores
Source Rating
Blabbermouth.net 8/10 stars
Blistering 10/10 stars
Blistering favorable
Sputnikmusic 3/5 stars
Rock Hard (de) 9.5/10

Hipposonic Studios, Vancouver, BC

Physicist is the fourth solo album by Canadian musician Devin Townsend. The album was released on June 26, 2000, on Townsend's label, HevyDevy Records.

Physicist is distinguished from the rest of Townsend's solo portfolio for the crossing of the style of his work in Strapping Young Lad with elements that had been explored in Ocean Machine: Biomech and Infinity. Notably, the line-up of musicians featured on this album is identical to that of Strapping Young Lad.

Physicist took several years to come to fruition. Townsend had previously played with Metallica's then-bassist Jason Newsted, in a short-lived thrash metal project called IR8. After the creation of an IR8 demo tape, Townsend and Newsted began work on a new project called Fizzicist, which they claimed would be "heavier than Strapping Young Lad". When the IR8 tape was leaked, Newsted's Metallica bandmates James Hetfield and Lars Ulrich learned of the project. Hetfield was "fucking pissed" that Newsted was playing outside the band, and Newsted was prevented by his bandmates from working on any more side projects.

Unable to continue working with Newsted, Townsend instead wrote the album himself, calling it Physicist. Townsend assembled his bandmates from his extreme metal project Strapping Young Lad. This was the only time this lineup was featured on one of Townsend's solo albums.

The album combines Townsend's style with a thrash metal influence. David Ballard of Revolver described the album's sound as "a blend of summery melody and breathtaking brutality ... vaulting between Queen-like elegance and Dark Angel–like devastation."


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