Physical Graffiti | ||||
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Studio album by Led Zeppelin | ||||
Released | 24 February 1975 | |||
Recorded | July and December 1970, January–March 1971, May 1972, January–February 1974 at multiple locations | |||
Genre | ||||
Length | 1:22:45 | |||
Label | Swan Song | |||
Producer | Jimmy Page | |||
Led Zeppelin chronology | ||||
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Singles from Physical Graffiti | ||||
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Professional ratings | |
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Aggregate scores | |
Source | Rating |
Metacritic | 97/100 |
Review scores | |
Source | Rating |
AllMusic | |
Robert Christgau | B+ |
The Daily Telegraph | |
MusicHound | 4.5/5 |
Pitchfork Media | 10/10 |
PopMatters | |
Q | |
The Rolling Stone Album Guide | |
Uncut | 8/10 |
Virgin Encyclopedia of Popular Music |
Physical Graffiti is the sixth studio album by the English rock band Led Zeppelin, released as a double album on 24 February 1975 by their newly founded imprint label Swan Song Records. The band wrote and recorded eight new songs for the album at Headley Grange, which stretched the total time of the record beyond the typical length of a single LP, so the band decided to make Physical Graffiti a double album by including unreleased tracks from earlier recording sessions: one outtake from Led Zeppelin III, three from Led Zeppelin IV, and three from Houses of the Holy, including the unused title track from the latter album.
Physical Graffiti was commercially and critically successful upon its release and debuted at number one on album charts in both the US and the UK. The album was later certified 16x platinum in the United States by the Recording Industry Association of America (RIAA) in 2006, signifying shipments of over eight million copies.
The first attempt to record songs for Physical Graffiti took place in November 1973 at Headley Grange in East Hampshire, England. The recording equipment consisted of Ronnie Lane's Mobile Studio. However, these sessions came to a halt quickly and the studio time was turned over to the band Bad Company, who used it to record songs for their eponymous debut album. In an interview he gave in 1975, guitarist and album producer Jimmy Page explained the reason for this abrupt cessation of recording:
"It took a long time for this album mainly because when we originally went in to record it, John Paul Jones wasn't well and we had to cancel the time... everything got messed up. It took three months to sort the situation out."