Philippine comics
| Philippine comics | |
|---|---|
| Earliest publications | 1920s |
| Publications |
Kulafu Og Darna D. I. Trece |
| Creators |
Tony Velasquez Tony DeZuniga Nestor Redondo Mars Ravelo Alex Niño |
| Languages | |
Comics in the Philippines (Filipino: Komiks) are widespread and popular throughout the country from the 1920s to the present. Komiks were partially inspired by American mainstream comic strips and comic books during the early 20th century. Particularly after World War II, the medium became widely popular, though its mainstream appeal has subsided somewhat with the advent of other mass-media forms such as telenovelas. Webcomics produced by independent Filipino web-based artists have caught the attention of local and foreign readers.
The word komiks is simply the English word "comics," adapted to fit the orthography of native Filipino languages such as Tagalog.
While the first indigenous cartoons may be traced to José Rizal's illustration of the fable, "The Tortoise and the Monkey" (1885), the origins of the mainstream komiks industry would not arise until after the Spanish–American War. In the 1920s, Liwayway magazine began running comic strips under the direction of Romualdo Ramos and Tony Velasquez, such as the still-running Mga Kabalbalan ni Kenkoy (The Misadventures of Kenkoy). Valasquez is considered the father of Filipino comics.
Originally inspired by American comic strips and comic books left behind by American GIs, the medium steadily diverged, and by the 1950s, drew more inspiration from other forms of Filipino literature such as komedya, as well as Philippine mythology. Many komiks were evidently inspired by specific American comics, such as Kulafu and Og (Tarzan), Darna (Captain Marvel and Wonder Woman), and D. I. Trece (Dick Tracy). The predominance of superheroes has continued into the modern day. However, other characters such as Dyesebel draw more from traditional folklore.
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