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Peter Jukes

Peter Jukes
Born (1960-10-13)13 October 1960
Swindon
Residence London
Nationality British
Education Queens' College, Cambridge
Alma mater Aylesbury Grammar School
Occupation Writer
Years active 1980s-present
Known for Author, screenwriter, playwright, literary critic and blogger
Website www.PeterJukes.com

Peter Jukes is an English author, screenwriter, playwright, literary critic and blogger.

Jukes' television writing has mainly been in genre of prime time thrillers or TV detective fiction, with 90-minute or two-hour long stories being broadcast by the BBC.

Jukes devised and wrote most of the three seasons of the BBC One prime time undercover thriller In Deep starring Nick Berry and Stephen Tompkinson; two 90-minute film length episodes of the BBC One series The Inspector Lynley Mysteries;.Burn Out, the two-hour first episode of the first season of the Emmy Award winning 'cold-case' series Waking the Dead; achieved 8.4m viewers and a 38% share. He and Ed Whitmore wrote the second series of the paranormal/science thriller Sea of Souls which won the 2005 BAFTA Scotland Award for Best Drama. Jukes' opening episode of the third season of Holby City was described by The Guardian as the "televisual equivalent of Crack Cocaine."

In October 2009, Jukes wrote a critical piece for Prospect magazine, contrasting the standards of UK television drama negatively with the standard of television dramas in America. In the essay Why Can't Britain Do the Wire he argued that high quality drama in the UK had suffered from a concentration of commissioning power, the dominance of soaps (such as the twelfth series of Holby City), and the lack of show runners or writer producers that characterise US TV drama production.

His radio credits include the original BBC Radio Soul Motel (2008) (a drama taking place entirely in social networking space similar to Bebo or Facebook) and, with the comedian and actor Lenny Henry, the plays Bad Faith and Slavery: The Making of. The latter formed part of the BBC's 2007 programming series to commemorate 200 years since Britain abolished the slave trade, "managed to extract maximum humour from the grimmest of subject matters." by using the form of a semi-comic mockumentary. As The Spectator magazine explained: "Greg Wise plays the harassed producer trying to put together a drama for which Lenny Henry has provided sheafs of research printouts from the internet – but no script... 'Whose story is this?' demands Adrian Lester in an angry exchange with Brian Blessed. Were they in character? Or were they arguing for real?"


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