Peter Høeg
| Peter Høeg | |
|---|---|
 |
|
| Born |
17 May 1957 Copenhagen |
| Occupation | Author |
| Nationality | Danish |
| Period | 1988–present |
| Genre | fiction, recent history |
Peter Høeg (born 17 May 1956) is a Danish writer of fiction.
Høeg was born in Copenhagen, Denmark. Before becoming a writer, he worked variously as a sailor, ballet dancer and actor (in addition to fencing and mountaineering)—experiences that he uses in his novels. He received a Master of Arts in Literature from the University of Copenhagen in 1984.
Peter Høeg published his first novel, A History of Danish Dreams, in 1988 to very positive reviews. He decided at that stage to protect his personal life. Over the next five years he wrote and published the short story collection Tales of Night, and the novels: Miss Smilla's Feeling for Snow (1992), Borderliners (1993). It was Miss Smilla's Feeling for Snow that earned Høeg immediate and international literary celebrity. In 1993 he won the Danish booksellers award De Gyldne Laurbær (The Golden Laurel) and the Danish Critics Prize for Literature for his book De måske egnede (English title: Borderliners).
Høeg virtually disappeared in 1996 after the lukewarm reception of The Woman and the Ape.
Høeg resurfaced in 2006 with The Quiet Girl, his first novel in 10 years. At the time of its publication, reception in Denmark was mixed at best, and the novel was generally disregarded as being either too complex or too postmodern.
Høeg was surprised by response and has since said the complexity of the book was nowhere near that of films like Inception or Memento. Norwegian author Jan Kjærstad defended the book, saying: "it surprises me that a novel written by someone of Peter Høeg’s calibre, with such great intelligence, so much thought and originality, should be treated to such outpourings of pettiness and virulence. How could such a rollicking, generous, open book be greeted with so much gravity and severity, such closed minds and again: in my broad-minded old Denmark?"
In October 2007, the Danish literary critic Poul Behrendt published a book entitled Den Hemmelige Note: Ti kapitler om små ting der forandrer alt, in which he explains that the cold reception of the The Quiet Girl was due to its complexity and scope which the critics, according to Behrendt, didn't understand.
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