Penina Muhando

Penina Muhando
Born	1948 (age 68–69) Tanganyika Territory
Nationality	Tanzanian
Alma mater	University of Dar es Salaam
Occupation	Playwright

Penina Muhando, also known as Penina Mlama (born 1948), is a Tanzanian Kiswahili playwright, and a theorist and practitioner of theatre for development in Tanzania.

Muhando was born in Berega, Morogoro Region in Tanzania in 1948. She gained a BA in theater arts, a BA in education, and a PhD in language and linguistics from the University of Dar es Salaam. She rose to become professor and head of the Department of Theater Arts at the university.

Muhando was among a group of Tanzanian playwrights in the late 1960s and early 1970s who emerged in the aftermath of President Julius Nyerere's Arusha Declaration in 1967. Ujamaa socialism became the guiding philosophy of the country. In this environment, theaters were discouraged form performing plays by foreign artists. Local playwrights were called upon by Nyerere to use their art as a means of disseminating the main concepts of ujamaa to the people of Tanzania and for art to serve as a means of development. Muhando faced a dilemma between writing in English and Kiswahili. Works in English would open up a global clientele but remain inaccessible to most Tanzanians who did not speak the language. Swahili would open up this national audience at the expense of the global. She decided to focus on writing in Kiswahili because she felt that theater was primarily a tool of mass communication and being accessible to the Tanzanian population was more important.

Muhando's earlier works, such as Haitia (Guilt, 1972), are enthusiastic about the prospects of ujamaa socialism. However, in the late 1970s and 1980s, it began to be clear that that the expectations that ujamaa had created with respect to deepening of democracy and development had had not been met. Muhando, along with other writers became more critical in this period. in plays such as Nguzo Mama (Mother, the main pillar, 1982), Lina Ubani (There is an antidote for rot, 1984), and Mitumba Ndui (The Pox, 1989) she registered her disappointment by focusing on political corruption, jockeying for political power and the pursuit of personal profit over community development

Muhando, along with playwrights of various African nationalities, was one of the pioneers of Theater for Development - a movement that sought to let marginalized people use plays to engage in issues important to their lives within their communities and with experts.

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