Peak programme meter

A peak programme meter (PPM) is an instrument used in professional audio for indicating the level of an audio signal.

There are many different kinds of PPM. They fall into broad categories:

In professional usage, where consistent level measurements are needed across an industry, audio level meters often comply with a detailed formal standard. This ensures that all compliant meters indicate the same level for a given audio signal. The principal standard for PPMs is IEC 60268-10. It describes two different quasi-PPM designs that have roots in meters originally developed in the 1930s for the AM radio broadcasting networks of Germany (Type I) and the United Kingdom (Type II). The term Peak Programme Meter usually refers to these IEC-specified types and similar designs. Though originally designed for monitoring analogue audio signals, these PPMs are now also used with digital audio.

PPMs do not provide effective loudness monitoring. Newer types of meter do, and there is now a push within the broadcasting industry to move away from traditional level meters such as those featured in this article to two new types: loudness meters based on EBU Tech. 3341 and oversampling true PPMs. The former would be used to standardise broadcast loudness to −23 LUFS and the latter to prevent digital clipping.

In common with many other types of audio level meter, PPMs originally used electro-mechanical displays. These took the form of moving-coil panel meters or mirror galvanometers with demanding 'ballistics': the key requirement being that the indicated level should rise as quickly as possible with negligible overshoot. These displays require active driver electronics.

Nowadays PPMs are often implemented as 'bargraph' incremental displays using solid-state illuminated segments in a vertical or horizontal array. For these, IEC 60268-10 requires a minimum of 100 segments and a resolution better than 0.5 dB at the higher levels.

Many operators prefer the moving-coil meter type of display in which a needle moves in an arc, because an angular movement is easier for the human eye to monitor than the linear movement of a bargraph.

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