Paul Vera
| Paul Vera | |
|---|---|
 |
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| Born | 1882 Paris, France |
| Died | 1957 Saint-Germain-en-Laye, France |
| Nationality | French |
| Occupation | Painter and decorator |
Paul Vera (1882–1957) was a French painter, designer and pioneer of the Art Deco style. He is known for his collaboration on garden designs with his brother André Vera.
Paul Vera was born in Paris in 1882. His father was Gustave Lėon Vera, an architect, and his older brother André became a garden designer. He was raised in Paris, and became interested in painting while still young. He would often go with Louis Abel-Truchet, an artist, on excursion to paint en plein air. He studied painting for ten years, first at the Académie Julian, then the École des Beaux-Arts and finally at the Académie Ranson. In 1904 he exhibited for the first time at the Salon d'Automne. He was a friend of the artists Roger de La Fresnaye and André Mare of the Puteaux Group. Paul was influenced by cubism based on the mathematical principles of the golden ratio.
The Vera brothers collaborated on formal, geometric garden designs in Art Deco style. This style originated with the work of Louis Süe. The brothers joined with other artists to create L'Atalier Français, an cooperative business that borrowed organizational idea from the Wiener Werkstätte. The other members included Louis Süe, André Groult, Gustave Louis Jaulmes (1873–1959), Roger de La Fresnaye and André Mare. André Vera wrote a manifesto that defined the goal of the group as combining traditional and modern ideas to bring clarity, order and aesthetic unity to interior design.
During World War I (1914–18) Vera served in the army's camouflage corps, making covers for observation posts and artillery. After the war he joined the Compagnie des Arts Français, which Louis Süe and André Mare had founded as a successor to the Atalier Français. Vera became a decorator for the company, mainly painting the decorations on objects that others had designed. He painted furniture, made wallpaper and textile patterns, printed illustrations and graphic designs, made sketches for tapestry and bas-relief panels. He used a limited number of geometrically abstracted designs drawn from plants, fountains and allegorical or mythical figures. Many of his works were shown in the two pavilions of the Compagnie des Arts Français at the 1925 International Exposition of Modern Industrial and Decorative Arts in Paris. Vera also renewed the tapestry cartoons for the Aubusson workshops and the Beauvais and Gobelins manufacturies. He also drew ceramics for the Manufacture nationale de Sèvres.
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