Paul Carter (academic)

Paul Carter was born and brought up in Faringdon, Oxon., UK attending a local grammar school and later Oxford University. In the 1970s he lived largely in Spain and Italy, working at a variety of jobs in order to support his own poetic education and cultural research. Moving to Australia in the early 1980s, he redirected his interests in poetics and aesthetics to the renarration of the conceptual foundations of white settler society in Australia. His book The Road to Botany Bay (1987) introduced the idea of ‘spatial history’ and was praised by Edward Said (‘a brilliantly daring notion of imperialism’) and Susan Sontag (an ‘ingenious account of nation-founding … itself a kind of founding book’). His follow-up publication, The Lie of the Land, has been widely recognised as a major contribution to postcolonial geography.

Research for this book stimulated an interest in the dynamics of cross-cultural communication, generating a body of radiophonic work and museum installation, supported respectively by the Australian Broadcasting Corporation and Radio Rundfunk, Cologne and (among others) Hyde Park Barracks (Sydney) and the Museum of Sydney. A multilingual soundscape (‘Columbus Echo’) designed for the Acquario di Genova led to a collaboration with composer Luciano Berio and to the ‘anti-novel’ Baroque Memories (the Italian translation included a preface by Antonio Tabucchi, who noted how a ‘further complication of an already complex situation produces, paradoxically, a simplification and, indeed, a resolution.’

In the late 1990s his studies in the mythopoetic mechanisms of placemaking led to major commissions as a public artist. Relay (with Ruark Lewis) for the Sydney 2000 Olympics and Nearamnew (a collaboration with Lab architecture studio and Karres en Brands) at Federation Square, Melbourne, used text, typography and ground patterning to integrate ‘reading’ and ‘treading.’ There followed numerous public space design projects, independently through the design studio Material Thinking, or in collaboration with leading Australian architects and landscape architects. His story-based tool for urban design and program integration, the ‘creative template’, was adopted by the Western Australian Government’s major planning agency, the Metropolitan Redevelopment Authority, in 2016.

His collaborations with artists between 1990 and 2004 were described in the book Material Thinking: the theory and practice of creative research (2004). More recently he has focused on the choreography of sociability in public settings, exploring the concept of the designer as dramaturg. His publications in this area are characterized as ‘cultural writing,’ as the vehicle of the analysis is invariably a distinctive literary style and narrative structure. In Meeting Place (2013) he differentiated between encounter and meeting to foreground the performative foundations of civil coexistence.Places Made After Their Stories (2015) introduces the notion of ‘choreotopography’ to characterize the arrangements that emerge from feedback between society and setting.

...
Wikipedia