Paul Allender | |
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Background information | |
Birth name | Paul Allender |
Born |
Colchester, England |
17 November 1970
Genres | Extreme metal |
Occupation(s) | Musician, Songwriter |
Instruments | Guitar |
Years active | 1992-present |
Associated acts | Cradle of Filth, The Blood Divine, Primary Slave, White Empress |
Website | White Empress |
Notable instruments | |
PRS Allender Signature Model |
Paul Allender (born 17 November 1970) is a lead guitarist best known for his work with the British extreme metal band Cradle of Filth. He quit the band for the second time in April 2014.
At the age of six years, Paul's father introduced him to martial arts, which led to a way of life for him and the home which he grew up in. He received his first guitar at the age of fourteen, and played in staggered periods until he was nineteen years old, because his martial arts training was always his first priority.
He joined the band as the guitarist late 1991, and stayed until late 1994 when he left Cradle of Filth to join The Blood Divine and to spend more time with his son. In 1998 Paul Allender started another band called Primary Slave. In 2000, just before Primary Slave signed a recording contract, he rejoined Cradle of Filth on the band's album, Midian after receiving a call from Dani Filth, along with drummer Adrian Erlandsson and keyboardist Martin Powell.
While performing on stage with Cradle of Filth at in August 2009, a member of the audience used a slingshot to fire a gobstopper at the stage which narrowly missed Dani Filth, but hit Allender on his spine in his lower back. He was then sent to the hospital which caused the performance to end early.
As of April 2014 Paul Allender has once again left Cradle of Filth.
Paul Allender is recognised for his unique right-handed technique and is currently endorsed by PRS Guitars, RotoSound and Blackstar amplification.
"To tell you the truth... I don't jam. I've always played what actually I see in my head. Therefore, when I play, I don't use any specific scales or anything in order or that's musically correct or anything... I’ve always concentrated on mixing lead-oriented riffs, but in like a rhythmic sense. That's the way I've always been because I've never really been interested in doing ultra-fast lead work. I've always mixed the two up. Just concentrating on the 16th notes and stuff on the right hand, making sure it all sinks in. It's the guitar and it's the way we dress onstage, it's all part of this troupe, this uniformed-like togetherness... It just comes out dark as fuck".