The Passion Play or Easter pageant is a dramatic presentation depicting the Passion of Jesus Christ: his trial, suffering and death. It is a traditional part of Lent in several Christian denominations, particularly in Catholic tradition.
The development of the Passion Play was about the same as that of the Easter Drama. It originated in the ritual of the Church, which prescribes, among other things, that the Gospel on Good Friday should be sung in parts divided among various persons. Later on, the Passion Play made its appearance, first in Latin, then in vernacular languages; contents and forms were adapted more and more to audience expectations, until, in the fifteenth century, the popular religious plays had developed. Thus, the Benedictbeurn Passion Play (thirteenth century) is still largely composed of Latin ritual sentences in prose and of church hymns, and, being designed to be sung, resembles an oratorio.
Yet even this oldest of the Passion Plays already shows a tendency to break away from the ritual and to adopt a more dramatic form. This evolution is shown by the interpolation of free translations of church hymns and of German verses not pertaining to such hymns, as well as by the appearance of Mary (the Virgin Mary, mother of Jesus) and Mary Magdalene in the action. From these humble beginnings the Passion Play developed very rapidly, since in the fourteenth century it was at a stage of development which could not have been reached except by repeated practice. From this second period we have the Vienna Passion, the St. Gall Passion, the oldest Frankfort Passion, and the Maestricht Passion. All four Plays, as they are commonly called, are written in rhyme, principally in German.