Passages (Ravi Shankar and Philip Glass album)
| Passages | |
|---|---|
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| Studio album by Ravi Shankar and Philip Glass | |
| Released | 1990 |
| Genre | Contemporary classical, Hindustani classical, world |
| Length | 55:21 |
| Label | Atlantic |
Passages is a collaborative chamber music studio album co-composed by Ravi Shankar and Philip Glass, released in 1990 through Atlantic Records. Consisting of arrangements by each of the composers around themes written by the other, the album's content is a hybrid of Hindustani classical music and Glass' distinct American minimal contemporary classical style. The album reached a peak position of number three on Billboard's Top World Music Albums chart.
After a slow introduction saxophone plays the Shankar raga melody, subsequently enriched by the two other saxes. A long middle section in quicker tempo treats the material more freely in several parts, concluded with a shorter recapitulation of the opening theme.
The title based on the solfege notes (svaras): "SA DHA NI PA" from the Indian octave (saptaka) based on the first four tones of the Glass melody: "Do La Ti So" (D-B-C-A). An opening "ad lib" trumpet statement, echoed in the bass bamboo flute. Then the chamber orchestra develops the theme in 4/8-6/8-7/8. The Finale recapitulates the original Glass theme.
This is an instrumental work with vocalists in A-B-A-B-A-B form which was conceived as a bridge between the two Shankar compositions based on the Glass melodies.
The Glass theme is introduced, after the veena introduction, by the cello. The opening section is in 6/8, middle section 4/8, closing in 4/8.
A fast-paced work based on: 1) a "Middle Eastern" sounding Shankar theme in 7; 2) a second theme also by Ravi and also in 7 but of a somewhat different length; 3) A Glass theme in 4. Glass also added an Introduction and other rhythmic ideas. The themes are stated, blended and combined in the Finale.
An extended orchestral work in two parts: Musical depiction of joyful people living in harmony. Slowly, greed, envy, hatred and violence creep into their contented lives. Out of this chaos a voice sings out in Vedic prayer and a feeling of spiritual awakening, peace and tranquillity descends upon people's minds:
"Hey Nath, hama para kripa kijiye. Door kara andhakar, gyan ka aloka dijiye, hinsa dwesh lobha bamese chhin lijiye, manamey prem shanti bhar dijiye."
(Oh, Lord. Be benevolent to us. Drive the darkness away. Shed upon us the light of wisdom. Take the jealousy, envy, greed and anger from us, and fill our hearts with love and peace.)
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