Paradise Theatre (album)
| Paradise Theatre | ||||
|---|---|---|---|---|
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| Studio album by Styx | ||||
| Released | January 19, 1981 | |||
| Recorded | 1980 at Pumpkin Studios, Oak Lawn, Illinois | |||
| Genre | Rock, progressive rock | |||
| Length | 40:37 | |||
| Label | A&M | |||
| Producer | Styx | |||
| Styx chronology | ||||
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| Singles from Paradise Theatre | ||||
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| Professional ratings | |
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| Review scores | |
| Source | Rating |
| Allmusic |   |
| The Daily Vault | A (2003) C (2006) |
| The Rolling Stone Album Guide |  |
Paradise Theatre is the tenth album by the rock band Styx, released in January 1981 (see 1981 in music).
A concept album, the album is a fictional account of Chicago's Paradise Theatre from its opening to closing (and eventual abandonment), used as a metaphor for America's changing times from the late 1970s into the 1980s. (Dennis DeYoung confirmed this in an episode of In the Studio with Redbeard which devoted an entire episode to the making of the album.)
Four singles from the album charted. "The Best of Times", written by Dennis DeYoung, went to #3 on the Billboard Hot 100. "Too Much Time on My Hands", written by Tommy Shaw, went to #9 on the Billboard Hot 100, Shaw's only top 10 hit for Styx. "Nothing Ever Goes as Planned", written by DeYoung, went to #54 on the US Pop Chart. "Rockin' the Paradise" — written by DeYoung, Shaw and James Young — went to #8 on the Top Rock Track Chart.
Paradise Theatre became Styx's only US #1 album. It was the band's fourth consecutive triple-platinum album, and (as of 2016) the last multi-platinum album by the band.
Vinyl copies of the album have a design featuring the name of the band laser etched directly onto the vinyl on side 2 (some copies had a wax design of the cover art). The vinyl record sleeve was a gate-fold and was painted by artist Chris Hopkins. On the back cover, label and spine, the title of the record is spelled "Paradise Theater", while on the front cover, the title is spelled "Paradise Theatre".
Vinyl releases and initial CD pressings of the album had the musical segue between "Half-Penny, Two-Penny" and "A.D. 1958" indexed as the intro to "A.D. 1958". Subsequent pressings of the CD had the segue indexed as the fade to "Half-Penny, Two-Penny" instead.
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