Cover of first edition (hardcover)
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Author | Octavia E. Butler |
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Country | United States |
Language | English |
Series | Parable trilogy |
Genre | Dystopian, Science fiction novel |
Publisher | Four Walls Eight Windows |
Publication date
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1993 |
Media type | Print (hardback & paperback) |
Pages | 299 pp (first edition, hardback) |
ISBN | (first edition, hardback) |
OCLC | 28255529 |
813/.54 20 | |
LC Class | PS3552.U827 P37 1993 |
Followed by | Parable of the Talents |
Parable of the Sower is the first in a two-book series of science fiction novels by American writer Octavia E. Butler. It was published in 1993.
Set in a future where government has all but collapsed, Parable of the Sower centers on a young woman named Lauren Olamina who possesses what Butler dubbed hyperempathy – the ability to feel the perceived pain and other sensations of others – who develops a benign philosophical and religious system during her childhood in the remnants of a gated community in Los Angeles. Civil society has reverted to relative anarchy due to resource scarcity and poverty. When the community's security is compromised, her home is destroyed and her family murdered. She travels north with some survivors to try to start a community where her religion, called Earthseed, can grow.
Butler had planned to write a third Parable novel, tentatively titled Parable of the Trickster, which would have focused on the community's struggle to survive on a new planet. She began this novel after finishing Parable of the Talents, and mentioned her work on it in a number of interviews, but at some point encountered writer's block. She eventually shifted her creative attention, resulting in Fledgling, her final novel. The various false starts for the novel can now be found among Butler's papers at the Huntington Library, as described in an article at the Los Angeles Review of Books.
Nominated: 1994: Nebula Award for Best Novel – Parable of the Sower
Parable of the Sower was adapted as Parable of the Sower: The Concert Version, a work-in-progress opera written by American folk/blues musician Toshi Reagon in collaboration with her mother, singer and composer Bernice Johnson Reagon. The adaptation's libretto and musical score combine African-American spirituals, soul, rock and roll, and folk music into rounds to be performed by singers sitting in a circle. It was performed as part of The Public Theater's 2015 Under the Radar Festival in New York City.