Pagan rock | |
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Stylistic origins | Gothic rock, psychedelic folk, apocalyptic folk, ethereal wave, neo-medieval |
Cultural origins | 1975 in San Francisco Bay Area and 1989 in London, United Kingdom |
Typical instruments | Vocals, guitar, bass, drums, synthesizers |
Other topics | |
Modern paganism - Paganism - Goth - Darkwave - Neofolk - Pagan metal |
Pagan rock is music created by (and in some cases for) adherents of one of the many Neopagan and occult traditions that emerged in the middle to late 20th century. In some cases this definition is stretched to include bands embraced by modern Pagans and occult practitioners (Faith and The Muse for example). Bands in this genre will often use pagan and occult imagery and deal with pagan themes.
The term "Pagan rock" differentiates the genre from new-age music, and from the traditional folk music found at many Neopagan events and gatherings. While many bands under this loose category do incorporate rock and roll styles, one can also find bands inspired by gothic rock, medieval music, the darker elements of traditional and folk music, Celtic music, neofolk and neo-classical, darkwave, ethereal, ambient, industrial and experimental music.
In many ways, the label of "Pagan rock" carries with it the same complexities and problems as Christian rock. Like contemporary Christian music, it is more an umbrella term than a cohesive musical genre. The Pagan rock label can include bands like Inkubus Sukkubus and The Moon and the Nightspirit who explicitly state their allegiance to Neopaganism; bands like Abney Park who have Neopagans in the band but do not label themselves as pagan rock, and bands like Unto Ashes who sing songs involving occult and Neopagan themes but avoid publicly labeling their personal belief systems.