Padre padrone

Padre Padrone
Theatrical release poster
Directed by	Paolo Taviani Vittorio Taviani
Produced by	Giuliani G. De Negri
Written by	Story: Gavino Ledda Screenplay: Paolo Taviani Vittorio Taviani
Starring	Omero Antonutti
Music by	Egisto Macchi
Cinematography	Mario Masini
Edited by	Roberto Perpignani
Distributed by	Radiotelevisione Italiana Cinema 5 Distributing (USA) Artificial Eye (UK)
Release date	June 1977 (Berlinale) December 23, 1977 (New York Film Festival)
Running time	114 minutes
Country	Italy
Language	Italian Sardinian Latin

Padre Padrone (also known as Father and Master, 1977) is an Italian film directed by Paolo and Vittorio Taviani. The Tavianis used both professional and non-professional actors from the Sardinian countryside.

The drama was originally filmed by the Taviani brothers for Italian television but won the 1977 Palme d'Or prize at the 1977 Cannes Film Festival.

The film depicts a Sardinian shepherd who is terrorized by his domineering father and tries to escape by educating himself. He eventually becomes a celebrated linguist. The drama is based on an autobiographical book of the same title by Gavino Ledda.

The film opens in documentary fashion at Siligo's elementary school that six-year-old Gavino (Saverio Marconi) is attending. His tyrannical peasant father (Omero Antonutti) barges in and announces to the teacher and the students that Gavino must leave school and tend the family sheep. Under his father's watchful eyes and the victim of his sadistic behavior, Gavino passes the next fourteen years tending sheep in the Sardinian mountains. There he begins to discover things for himself and begins to rebel against his father.

Gavino is rescued from his family and his isolation when he is called for military service. During his time with the army he learns about electronics, the Italian language and classical music, yearning all the while for a university education.

When Gavino returns home, he declares to his father that he will attend university. His father is against this and tells him that he will throw him out of the family home. They have a nasty fight, but Gavino eventually attends university and emerges as a brilliant student. He becomes a linguist, specializing in the origins of the Sardinian language.

The film ends again in documentary fashion as Gavino Ledda himself tells why he wrote his book and what Sardinian children may expect as inhabitants of a rural area with close ties to the land.

Janet Maslin, film critic for The New York Times, praised the film and wrote, "Padre Padrone is stirringly affirmative. It's also a bit simple: The patriarchal behavior of Gavino's father is so readily accepted as an unfathomable given constant that the film never offers much insight into the man or the culture that fostered him. Intriguingly aberrant behavior is chalked up to tradition, and thus robbed of some of its ferocity. But the film is vivid and very moving, coarse but seldom blunt, and filled with raw landscapes that underscore the naturalness and inevitability of the father-son rituals it depicts."