Overlord | |
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Directed by | Stuart Cooper |
Produced by | James Quinn |
Written by |
Stuart Cooper Christopher Hudson |
Starring |
Brian Stirner Davyd Harries |
Music by | Paul Glass |
Cinematography | John Alcott |
Edited by | Jonathan Gili |
Release date
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Running time
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85 minutes |
Country | United Kingdom |
Language | English |
Overlord is a 1975 black-and-white film written and directed by Stuart Cooper. Set around the D-Day invasion ('Operation Overlord'), Overlord is a war film about a young soldier's meditations on being part of the war machinery, and his premonitions of death. The film was entered into the 25th Berlin International Film Festival, where it won the Silver Bear - Special Jury Prize.
Beginning with a premonition of his death, the film follows a young everyman through his call up to the East Yorkshire Regiment, his training, his meeting a young girl, his journey to France, and his death on Sword Beach. Director Cooper also includes footage of the London Blitz and bombing of Europe to emphasise the events leading up to the invasion and the comparatively short distance between England and France.
Stuart Cooper had originally intended to make a documentary film about the Overlord embroidery tapestry. As he researched the events of the Normandy landings at the Imperial War Museum he decided on making a film of a young man's journey from call up to coffin.
About half of Overlord is contemporary footage shot for the film, and about half of it is archival footage from British training missions and the invasion itself. Cooper and his cinematographer, John Alcott, tried to create a consistent look when filming the contemporary footage and to this end they employed old Kodak film stock and World War II-era original German 1930s military camera lenses.
The film originally failed to get US theatrical distribution and was only shown there in select screenings and on television. In 2006, the film saw its first US release through Janus Films and in early 2008 a re-mastered edition was re-released in cinemas (on 1 February, with a launch at the Institute of Contemporary Arts) and on DVD (on 3 March) in the UK.