Outlaster | ||||
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Studio album by Nina Nastasia | ||||
Released | June 7, 2010 (see release dates below) |
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Recorded | March 9–12, 2009 | |||
Genre | Alternative | |||
Length | 39:43 | |||
Label | Fat Cat Records | |||
Producer | Steve Albini | |||
Nina Nastasia chronology | ||||
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Singles from Outlaster | ||||
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Outlaster is the fifth studio album recorded by American singer-songwriter Nina Nastasia. It was released on June 7, 2010 internationally and June 22, 2010 in the United States by Fat Cat Records (see 2010 in music).
The album was once again recorded by long-time collaborator Steve Albini at Electrical Audio Studios in Chicago. Los Angeles-based arranger Paul Bryan conducted score for a small orchestra, while Nina and Kennan Gudjonsson assembled string and woodwind quartets. Jay Bellerose, who appeared on previous albums The Blackened Air and On Leaving, makes his returns on drums while Tortoise member Jeff Parker performs guitar.
A single, "Cry, Cry Baby," was released in advance of the record on May 10 internationally and May 18 in the U.S. and Canada. "You Can Take Your Time" was released as the second single from the album on December 6, 2010.
Recording sessions for the album took place over the course of four days at Electrical Audio Studios in Chicago from March 9–12, 2009. The album was tracked by the full band during the first three days, with conductor Paul Bryan admitting that "[...] things got off to an alarmingly slow start, but we eventually fell into a groove; I would rehearse the strings while Nina, Jay and Jeff would fool around with ideas. Once I felt we were ready to track, I would grab a bass and hope that we could pull off something usable while the tape was still rolling." Piano, woodwind and horn sections were overdubbed at the beginning of the fourth day of recording, with Steve Albini completing the mixing of the record by the end of that same night.
Nina Nastasia's long-time companion Kennan Gudjonsson has been confirmed as being a "de facto" producer for the record. On his short recording log of the sessions, conductor Paul Bryan stated that Kennan is "a musician missing an instrument; he has ultra-musical instincts and was a great set of ears in the control room. It was an intense four days and really fun."