Osip Brik

Osip Maksimovich Brik (Russian: Осип Максимович Брик) (16 January 1888 in Moscow – 22 February 1945 in Moscow), Russian avant garde writer and literary critic, was one of the most important members of the Russian formalist school, though he also identified himself as one of the Futurists.

Brik grew up in Moscow, the son of a wealthy Jewish jeweler. In the university, Brik studied law; his friend Roman Jakobson wrote: "For his doctoral thesis he wanted to write about the sociology and juridical status of prostitutes and would frequent the boulevards. All the prostitutes there knew him, and he always defended them, for free, in all their affairs, in their confrontations with the police and so on." But he soon found himself far more interested in poetry and poetics and devoted all his time to it, becoming one of the founders of OPOJAZ and writing one of the first important formalist studies of sounds in poetry, Zvukovye povtory ("Sound repetitions," 1917). He had a strongly anti-author stance, once going so far as to say that if Pushkin had not written Eugene Onegin, somebody else would have; he wrote that "there are no poets or literary figures, there is poetry and literature." He was also interested in photography and film: "In 1918, Brik was a member of IZO Narkompros (Visual Arts Section of the People's Committee for Education). ... Brik was especially close to Alexander Rodchenko and did much to make his photographic work known." He was also active in films and wrote several screenplays, including one for Potomok Cingis-khana (The Descendant of Genghis Khan) (with Ivan Novokshonov), directed by Vsevolod Pudovkin (1928).

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