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Orlando furioso (Vivaldi)

Orlando furioso
Opera by Antonio Vivaldi
Bénard Angelica et Medoro.jpg
18th-century depiction of Angelica and Medoro whose marriage in act 2 drives Orlando into a rage
Librettist Grazio Braccioli
Premiere November 1727 (1727-11)
Teatro Sant'Angelo, Venice

Orlando (RV 728), usually known in modern times as Orlando furioso (Italian pronunciation: [orˈlando fuˈrjoːzo]), is an opera in three acts by Antonio Vivaldi to an Italian libretto by Grazio Braccioli, based on Ludovico Ariosto's epic poem Orlando Furioso (The Frenzy of Orlando). The first performance of the opera was at the Teatro San Angelo, Venice, in November 1727. It is to be distinguished from an earlier Vivaldi opera of 1714, Orlando furioso, set to much the same libretto, once thought to be a revival of a 1713 opera by Giovanni Alberto Ristori but now considered by Vivaldian musicologists to be a fully-fledged opera by Vivaldi himself.

The opera – more formally, the dramma per musica – alternates arias with recitative, and is set on an island at an unspecified time. The story line combines several plot lines from Ariosto: the exploits of the hero Orlando are detailed, as well as the tale of the sorceress Alcina.

In a delightful garden in which two springs are seen, Medoro escapes from a shipwreck into the arms of his beloved Angelica. Alcina magically helps Medoro and he recounts how he was first captured, then shipwrecked. Orlando is jealous of Medoro, but Angelica lies and says Medoro is her brother.

Alcina is attracted to the knight Ruggiero. She uses her magic to make him forget Bradamante and love her instead. Bradamante discovers Ruggiero's "betrayal." She shows him the ring he gave her therefore breaking Alcina's spell. Ruggiero feels guilty for his actions.

In a grove with green secluded spots, Astolfo reflects how he loves Alcina, but is tormented by her unfaithfulness.


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