Orlando | |
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Promotional poster
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Directed by | Sally Potter |
Produced by | Christopher Sheppard |
Written by | Sally Potter |
Based on |
Orlando: A Biography by Virginia Woolf |
Starring | |
Music by | David Motion Sally Potter |
Cinematography | Aleksei Rodionov |
Edited by | Hervé Schneid |
Distributed by | Sony Pictures Classics |
Release date
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Running time
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93 minutes |
Country | United Kingdom, France, Italy, Netherlands, Russia |
Language | English |
Budget | $4 million or $5 million |
Box office | £1,519,690 (UK) $5,319,445 |
Orlando is a 1992 British film based on Virginia Woolf's novel Orlando: A Biography, starring Tilda Swinton as Orlando, Billy Zane as Marmaduke Bonthrop Shelmerdine, and Quentin Crisp as Queen Elizabeth I. It was directed by Sally Potter.
It was particularly acclaimed for its visual treatment of the settings of Woolf's 1928 novel. Potter chose to film much of the Constantinople portion of the book in the isolated city of Khiva in Uzbekistan, and made use of the forest of carved columns in the city's 18th century Djuma Mosque.
The film premiered at the 49th Venice International Film Festival, in which it entered the main competition.Orlando was re-released for screening in select cinemas in August 2010.
The film begins in the Elizabethan era shortly before the death of Queen Elizabeth I. On her deathbed, Elizabeth promises an androgynous young nobleman named Orlando a large tract of land and a castle built on it along with a generous monetary gift which she will only bequeath to him if he consents to her command, "Do not fade. Do not wither. Do not grow old." Both he and his heirs will keep the land and inheritance forever. Orlando acquiesces and resides in splendid isolation in the castle for a couple of centuries, during which time he dabbles in poetry and art. His attempts to befriend a celebrated poet, however, backfire when the poet ridicules his verse. Orlando then travels to Constantinople as English ambassador to the Turks, where he is almost killed in a diplomatic fracas. Waking up the next morning, he learns something even more startling: he has physically transformed into a woman overnight.
The now Lady Orlando comes home to her estate in Middle Eastern clothing, only to learn that she faces several impending lawsuits arguing that Orlando was a woman to begin with and therefore has no right to the land or any of her/his royal inheritance.