Orion Pictures Corporation
 |
|
| Subsidiary | |
| Industry | Motion pictures |
| Predecessor | Filmways |
| Founded | 1978 (original) 2013 (relaunch) |
| Founder |
|
| Defunct | 1999 (original) |
| Headquarters | Los Angeles, California, United States |
|
Key people
|
Brian Foley (CEO) |
| Parent |
Metro-Goldwyn-Mayer, Inc. (MGM Holdings, Inc.) |
| Divisions |
|
| Subsidiaries |
Motion Picture Corporation of America (1996–1997) The Samuel Goldwyn Company (1996–1997) |
Orion Pictures Corporation is an American motion picture production and distribution that produced and released films from 1978 until 1999, and was also involved in television production and syndication throughout the 1980s until the early 1990s. It was formed in 1978 as a joint venture between Warner Bros. and three former top-level executives of United Artists. Although it was never a large motion picture producer, Orion achieved a comparatively high reputation for Hollywood quality.Woody Allen, James Cameron, Jonathan Demme, Oliver Stone, and several other prominent directors worked with Orion during its most successful years from 1978 to 1992. Of the films distributed by Orion, four won Academy Awards for Best Picture: Amadeus (1984), Platoon (1986), Dances with Wolves (1990), and The Silence of the Lambs (1991). Two other Orion films, Hannah and Her Sisters (1986) and Mississippi Burning (1988), were nominated for that same category. In 2013, Metro-Goldwyn-Mayer revived the Orion name for television; a year later Orion Pictures was quietly relaunched by the studio.
In January 1978, three executives of Transamerica (TA)-owned studio United Artists (UA) – Arthur B. Krim (chairman), Eric Pleskow (president and chief executive officer), and Robert S. Benjamin (chairman of the finance committee) - quit their jobs. Krim and Benjamin had headed UA since 1951, and subsequently turned around the then-flailing studio with a number of critical and commercial successes. Change had begun once Transamerica purchased UA in 1967, and within a decade a rift formed between Krim and TA chairman Jack Beckett regarding the studio's operations. Krim suggested spinning off United Artists into a separate company, which was rejected by Beckett.
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