Original Poetry by Victor and Cazire

Original Poetry by Victor and Cazire was a poetry collection published anonymously by Percy Bysshe Shelley in September 1810 by C. and W. Phillips in Worthing and sold by publisher . The work was Shelley's first published volume of poetry. Shelley wrote the poems in collaboration with his sister Elizabeth. It was written before Shelley entered the University of Oxford. The volume consisted of sixteen poems and a fragment of a poem. Shelley wrote eleven of the poems while Elizabeth wrote five. Shelley contributed seven lyrical poems, four Gothic poems, and the political poem "The Irishman's Song". Elizabeth wrote three lyrical poems and two verse epistles. The collection included the early poems "Revenge", "Ghasta, Or, The Avenging Demon!!!", "Song: Sorrow", and "Song: Despair". The epigraph was from the "Lay of the Last Minstrel" by Sir Walter Scott: "Call it not vain:— they do not err, Who say, that, when the poet dies, Mute Nature mourns her worshipper."

Controversy surrounded the work, however, because one of the poems included, "Saint Edmond's Eve", was written by Matthew Gregory Lewis and originally appeared in Tales of Terror (1801). Shelley told Stockdale that his sister Elizabeth had included the Lewis poem. Shelley apologised and informed Stockdale to suppress the volume. Fourteen hundred and eighty copies had been printed and one hundred copies had been circulated. Fearing a plagiarism lawsuit, Stockdale withdrew the work from publication. Copies of the work became extremely rare and it lapsed into obscurity.

In 1859, Richard Garnett was able to substantiate that the volume had been published but was unable to locate an extant copy. The collection was reprinted and revived in 1898 by John Lane in an edition edited by Richard Garnett after a copy of the volume had been found.

The volume was advertised in the Morning Chronicle of 18 September, the Morning Post of 19 September, and The Times of 12 October 1810. Reviews appeared in Literary Panorama, The Anti-Jacobin Review, The British Critic, and The Poetical Register. The reviews, which primarily focused on Elizabeth's poems, were negative and highly critical. Literary Panorama dismissed the poems as examples of "nonsensical rhyme". The British Critic review described the volume as "filled up by songs of sentimental nonsense, and very absurd tales of horror." The Poetical Register called the poems "downright scribble" and a "waste of paper", dismissing "all this sort of trash".

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