Opera Colorado

Opera Colorado is an opera company located in Denver, Colorado. Founded in 1981, it presents an annual season of three to four fully staged productions. Its primary performance venue is the Ellie Caulkins Opera House.

The company was founded in 1981 (with its first performances in 1983) by husband and wife team Nathaniel Merrill and Louise Sherman, who came to Denver from long careers at the Metropolitan Opera in New York City. They had hoped that opera would flourish in Denver, but there was no suitable venue, and performances were given in the in-the-round Boettcher Hall, a part of in the Denver Center for the Performing Arts and used primarily as a concert hall. In spite of the location, many international opera stars appeared in Denver. These included Plácido Domingo, Catherine Malfitano, James McCracken, and Pilar Lorengar in the first season. Following seasons have seen Justino Diaz, Eva Marton, Cornell MacNeil, James Morris, Sherrill Milnes, and Samuel Ramey appear in Opera Colorado productions.

James Robinson was appointed Artistic Director of the company in 2000. Robinson's work has been seen at many opera houses including New York City Opera, Santa Fe Opera, Houston Grand Opera, Los Angeles Opera, and Opera Ireland. Peter Russell joined Opera Colorado in 2001 as the new President and General Director after leading the Lindemann Young Artist Program at the Metropolitan Opera and serving as the Director of the Wolf Trap Opera Company. With his appointment, Robinson went about re-configuring the hall to provide a three-quarter thrust stage which also required the use of microphones. As Russell noted: "if you tried to sing in that big cavern of a space without amplification, the voices would simply go nowhere". However, beginning in September 2005, Opera Colorado moved its performances to the new Ellie Caulkins Opera House. The move to a house more suitable for the presentation of opera led to increases in the donor base and subscribers. It also allowed Opera Colorado to work with other companies on co-productions in ways which were not possible before. As Russell noted, the effect of the new opera house "changed the complexion of this opera company in a way that is truly a once-in-a-lifetime experience".

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