Open Fire, Two Guitars | ||||
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Studio album by Johnny Mathis | ||||
Released | January 5, 1959 | |||
Recorded | 1958 | |||
Genre | Vocal | |||
Length | 43:05 | |||
Label | Columbia | |||
Producer | Mitch Miller | |||
Johnny Mathis chronology | ||||
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Professional ratings | |
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Review scores | |
Source | Rating |
Allmusic | link |
Billboard | positive |
Open Fire, Two Guitars is an album by American pop singer Johnny Mathis that was released on January 5, 1959, by Columbia Records on which he opts for guitar and bass accompaniment instead of performing alongside an orchestra. Two new songs ("An Open Fire" and "I'm Just a Boy in Love") are mixed in with covers of popular standards.
The album made its first appearance on Billboard magazine's list of the 25 Best-Selling Pop LPs in the US in the issue dated February 9, 1959, and got as high as number four during its 96 weeks there. It received Gold certification from the Recording Industry Association of America for sales of 500,000 copies in the US on December 4, 1962.
The album was released for the first time on compact disc on June 28, 1994, as part of the Master Sound series in which Sony Music used the Super Bit Mapping process to remaster certain titles and burn them onto discs with 24-karat gold plating. It was also issued on a standard compact disc on December 23, 1999.
The album's production values were one thing that especially impressed Greg Adams of Allmusic. "Producer Mitch Miller is often associated with gimmicky or novelty productions, but his work on Open Fire, Two Guitars is perfectly understated, emphasizing the gentle caress of Mathis's voice over the relaxed counterpoint of the two guitars." He added, "The album's effect seems nearly a cappella at times, but 'In the Still of the Night' finds Mathis intoning the lyrics over gently rhythmic guitar figures that educe new harmonic complexities from a well-known song." Writing decades after the album's initial release, Adams noted, "The enduring popularity of Open Fire, Two Guitars is attributable in part to its hypnotic aura of closeness and confidentiality, but also to the simple instrumentation that appeals to many rock-era listeners' preference for guitars over orchestral arrangements."